The Snow Child
The Snow Child in
Angela Carter’s The Bloody Chamber is
set in a snowy, midwinter forest reminiscent of European fairytales like Snow
White and The Snow-child which were also set in forests. Carter’s use of the
snowy forest contains elements of traditional Gothic storytelling, connotations
to Marxism and may also be important in establishing an underlying allegory for
marriage.
Carter’s use of the setting in The Snow Child contains
characteristic Gothic elements to help develop her story, with the first
instance of this being in its description “invincible, immaculate”. The use of
these adjectives personifies the environment and gives the impression that the
forest is beautiful while the idea of invincibility makes us think of it as
strong and unbeatable, like a trap. Both entrapment and beauty are elements in
Gothic storytelling, and often go hand-in-hand.
Another element of the Gothic that features here is the use of the supernatural or inexplicable, often for dramatic effect or indeed to aid the story. In terms of setting, we know that the Count just so happens to come across a “hole in the snow […] filled with blood”; Carter writes this into the story as if it is just a normal thing for the Count to come across which, in reality, it is not. This use of the inexplicably dark is a classic element of the Gothic.
Another element of the Gothic that features here is the use of the supernatural or inexplicable, often for dramatic effect or indeed to aid the story. In terms of setting, we know that the Count just so happens to come across a “hole in the snow […] filled with blood”; Carter writes this into the story as if it is just a normal thing for the Count to come across which, in reality, it is not. This use of the inexplicably dark is a classic element of the Gothic.
There also seems to be underlying Marxist connotations
within the setting of The Snow Child, which help to aid the view that the story
as an allegory for capitalist manipulation of the Earth. The winter could
represent the turmoil and struggle that the proletariat suffer, which may be
apparent in the line “fresh snow fell on snow already fallen”. It could be that
the layers of snow represent generations of working class citizens who have
felt the tyranny of the bourgeoisie.
However, the snow may also have other Marxist connotations. It could be that the snow represents ash from the factories, and the fact that the ash now scatters the land (and does so heaps) could signify the way capitalism is wasting and destroying the planet. This is backed up by the line “the whole world was white” which emphasises how far capitalism has spread, or indeed seems to have spread.
However, the snow may also have other Marxist connotations. It could be that the snow represents ash from the factories, and the fact that the ash now scatters the land (and does so heaps) could signify the way capitalism is wasting and destroying the planet. This is backed up by the line “the whole world was white” which emphasises how far capitalism has spread, or indeed seems to have spread.
The story itself could be interpreted as an allegory for
marriage, which may be apparent given Carter’s history of divorce, and its
setting could be used to help develop this allegorical point. For example, we
know that it is “midwinter” and that the Countess isn't dressed for the occasion
“glittering pelts” and “scarlet heels”, so we could assume that the midwinter
represents how cold and dead the marriage between the Count and Countess have
become.
Also, the description of the snow may represent divorce. Marriage in Victorian times and even nowadays in higher classes was /is considered a sacred union and divorce was/is not considered the norm. Perhaps, the description of it being “invincible” suggests that the Count and Countess have no way of escaping this marriage; that they are forever trapped.
Also, the description of the snow may represent divorce. Marriage in Victorian times and even nowadays in higher classes was /is considered a sacred union and divorce was/is not considered the norm. Perhaps, the description of it being “invincible” suggests that the Count and Countess have no way of escaping this marriage; that they are forever trapped.
In conclusion, it would seem that setting is a crucial
element in Carter’s telling of the story in Snow Child. It not only provides an
atmosphere to help set the mood for the story, but also gives us a strong and
vivid image of themes which Carter may possibly have wanted to present, from
the harsh realities of capitalism to the harsh realities of marriage.
You do make stronger connections to the gothic in this entry but there are still a few issues to be ironed out.
ReplyDeleteIn paragraph identify those connections to the gothic rather than simply stating they are there. Try and extend your thinking on entrapment and how this might connect to either feminism or Marxism.
Try not to mix your historical periods, stick to only what is present in the text rather than making assumptions.